Famous and proud, Knossos was the capital of Minoan Crete. It is grander, more complex, and more flamboyant than any of the other palaces known to us, and it is located about twenty minutes south of Heraklion. Knossos was inhabited for several thousand years, beginning sometime in the seventh millennium BC, and wos abandoned after its destruction in 1375 BC, which marked the end of Minoan civilization.
The first palace on the low hill beside the river was built around 1900 BC on the ruins of previous settlements. It was destroyed for the first time along with the other Proto-palatial palaces around Crete at 1700 BC, probably by a large earthquake or foreign invaders. It was immediately rebuilt to an even more elaborate complex and until its abandonment was damaged several limes during earthquakes, invasions, and in 1450 BC by the colossal volcanic eruption of Thera (Santorini), and the invasion of Mycenaean who used it as their capital as they ruled the island of Crete until 1375 BC.
Arthur Evans, the British Archaeologist who excavated the site in 1900 AD, restored large parts of the palace in a way that it is possible today to appreciate the grandeur and complexity of a structure that evolved over several millennia and grew to occupy about 20,000 square meters. Walking through its complex multi-storied buildings one can comprehend why the palace of Knossos was associated with the mythological labyrinth.
According to Greek mythology, the famed architect Dedalos designed the palace with such complexity that no one placed in it could ever find its exit. King Minos who commissioned the palace then kept the architect prisoner to ensure that he would not reveal the palace plan to anyone. The Labyrinth was the dwelling of the Minotaur in Greek mythology, and many associate the palace of Knossos with the legend of Theseaus killing the Minotaur.
The Greek myth associated with the palace about Theseus and the Minotaur is fascinating, but walking around the ruins of Knossos today it is hard to imagine it to be a place of torment and death. Instead, the palace radiates with joyous exuberance through the elaborate architectural planes and volumes that were clustered around the central courtyard over time. The elegant wall frescoes that decorated the walls speak of a people who approached the subtleties of life and the splendor of nature with a joyous disposition.
For the visitor today, the area around the romp, which leads to the main palace, immediately exposes the rich walk of ruins that span around 4 millenniums. The palace of Knossos was the centre of administration of the entire island during Minoan times, and its position as such allowed for unprecedented growth and prosperity as witnessed by the plethora of storage magazines, workshops, and wall paintings. The Throne room with its gypsum throne and benches to accommodate sixteen persons, the central courtyard, and the theatre. along with the royal chambers paint a portrait of Knossos as a forum of elaborate rituals and extraordinary historical occurrences.
The restorations performed by Evans have been criticized as inaccurate, and there is a feeling that many of the details were reconstituted (to use Evans’ term) utilizing at best “educated guesses”. For the visitor however, the restorations render the incomprehensible strata of ruins along with their past grandeur a bit more obvious, and bring the majesty of Minoan life at the palace a little closer.